Superhuman are a British composing, production and songwriting duo presently based in Los Angeles and London. Formed in London in 2012, Superhuman are the definition of understated epic.

Intimate, sweeping and grand, their organic approach to music has won notable campaigns such as "Dune: Part 2", "Blade Runner 2049", "Joker", and Marvel's "Ant-Man and the Wasp".

Calvin's music is everything you could wish for in a modern era composer. He's chaotic, percussive, dark and classical. With a bravado that pushes the envelope in all forms of style and genre - he is boundless. Gravity and genre defying - he's become one of the defining voices on the Pusher roster.

Constantly pushing the limits and experimenting with sound - it's in the quiet moments and the space between that you'll really hear his work. He contributed to the campaigns of "Dune: Part 2", "Beetlejuice Beetlejuice", "Only Murders in the Building" and "Killers of the Flower Moon".

Ted is an Athens-based Greek composer. With an unwavering dedication to the art of composition, Ted seamlessly blends minimal melodic motifs with both classical and electronic instrumentation. His music exudes hope and contemplation with profound emotional engagement and has been featured in "Parasite", "Snowpiercer", "Oppenheimer", and "Dune".

His captivating compositions have become integral to various collaborations with esteemed cultural organisations such as the National Opera, the National Theatre and the Athens Theater.

Heralding from Bristol, England: this production duo are also artists in their own right, with a fine pedigree Jon and Al have been at the forefront of the underground music scene in Bristol for two decades. The pair also run a legendary bass club called Run All Day.

Their music is heavy, sparse and bold. They always do more with less and have lent their music to some incredible campaigns over the years including "Wonder Woman", "Captain America: The Winter Soldier", "Interstellar" and "Call of Duty: Black Ops 4".

Pete "Boxsta" Martin is one of South Africa’s most sought after multi-platinum producer/songwriters. He is based in London. Previously Boxsta spent some time at Remote Control, Hans Zimmer's studio in L.A, remixing and lending his distinctive style to movie soundtracks.

Boxsta’s work at Pusher has won campaigns including "Empire of The Light", "The Batman", "Where the Crawdads Sing", "See How They Run" and "The Woman King" & "Ferrari" to name a few.

Matthew is an Ivor Novello award-nominated composer and producer. A unique collision of emotive string quartet & piano writing, atmospheric electronic production and innovative sound design forms a style inspired by indie classical, ambient and contemporary electronic music.

His work with Pusher has won campaigns including "Venom 2", "Mad Max: Furiosa", "Oppenheimer" and "Inside Out 2".

Jane is the first woman in history to win a British Academy Award (BAFTA) for music. Jane studied composition at The Royal Northern College of Music. She went on to complete her postgraduate degree at the Royal College of Music, London.

Her score work has also won her 'Breakthrough Composer of the Year' award by the International Film Music Critics Association. Her work with choreographer Joseph Sturdy, was commissioned and performed by The Royal Swedish Ballet.

Ian is an NYC and Paris based sound designer and composer with a keen focus on electronic and experimental sounds. Ian has a big punchy sound, that's also minimal and immediate. He's provided signature music and audio for various mediums, including film trailers, fashion brands, performance and documentaries.

Ian Miller's work at Pusher has won campaigns including Marvel's "Black Widow", "Call of Duty", "Halloween" and "Blade Runner 2049" to name a few.

Lawless (Dan Heath) is classically trained with two degrees in film scoring and composition. Dan has worked for Hans Zimmer and Blake Neely, although is best known for his body of work with Lana Del Rey. Golden Globe nominated for the title track to the Tim Burton film, Big Eyes. He recently started collaborating with Drew Macfarlane from Glass Animals.

As an independent artist, his work has been recorded by the Budapest Symphony and the London Symphony Orchestra. as well as featured in several films, television series, and advertisements. He composed the music for the film Gully and soundtrack collaborations with Snoh Aalegra, Dua Lipa, and Gary Clark Junior. Other score work include “Helen” produced by Chris Pratt & “Foundation,” For Religion Of Sports. He contributed to campaigns as "Story of God", "The Darkest Hour" and "American Gods".

IPMAN is a composer, producer and sound designer based in Leeds, UK. Reaching from a classically trained background, he increasingly finds himself drawn towards the infinite possibilities of electronic music, sculpting new and original sounds to create his own compositions. IPMAN has worked with Emmy Award winning music and sound design team Radium Audio as a producer and sound designer on projects for clients including, Sky, EE, Panasonic, National Geographic and Ericsson.

Jack has also been releasing his own music on influential underground labels including trailblazing Bristol-based Tectonic Recordings and The Glitch Mob's record label, Glass Air. Currently has music on the books of SATV Music and Pusher and has recently completed projects for Sky and Microsoft Xbox. He also contributed to campaigns as "Blade Runner 2049", "Shazam!", "The Flash" and "Ferrari".